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The idea is to make transparent the processes that happen in a museum, behind curtain, and also to make an exhibition specific for this time when the museum is not accessible to not let the museum sit there by itself I have been reading, and talking and getting bored, but I am also working on some bi-dimensional series I produced by pouring toner dust onto canvas here. Although the museum is closed because of the pandemic, I was invited to work on an exhibition that no one but one person will see in the flesh, but it’s broadcasted during the time the institution should have been open. Right now, I am writing to you from inside Museo Jumex. It’s a work where creation happens when coincidences appear and is mainly based on music. The piece explores the themes of coincidence and happenstance, weaving together both sparks of inspiration but also liminal moments, like an incident in 1981 in which Mohammad Ali talked a suicidal jumper off the ledge of a building on Los Angeles’ Miracle Mile, with the development of Van Halen’s 1983 hit Jump – a song whose synth-heavy style led to the band’s breakup over artistic differences. Falling Together in Time, is a video essay I made last year that really encapsulates all three questions, above inspiration, music and a certain logic of creation.
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I think conceptual ideas are so integral to art thinking these days that they have influenced even the most formal process of art. I actually find it hard to believe anybody now thinks of the final product. I have never initiated a project thinking of the final result. What is more important for you, the process of work and its documentation or the result? It was some kind of re-make of Following Piece by Vito Aconcci. That performance consisted of following people inside the Tate, from the moment they came into until they left in order to discover the dynamics of visitors. If you look me up on Spotify and most other platforms you could listen to several records.Ĭan you tell us about your performance at Tate. I have discovered that music is such an incredible place, because it is a shared language, and also an easy way to transmit ideas.
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The first time I did a musical piece, I turned the explanation of a work of art, into lyrics, and that became the main element of a sound installation. I either act as lyricist or as some kind of producer. Always, as a collaboration with somebody else. I have produced music as works by themselves, but also have created soundtracks for films and installations. I am not a musician, but somehow, I have managed to publish a number of records.
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Music has been close to my work for a long time. I guess, it’s a matter of how each of us conceive it and recognize it. At some point in my career I thought the idea of inspiration was such a romantic thing, but little by little I have started to accept that it actually exists. And when you have it, you have to massage it, in order for that to become the actual spark of something new. Inspiration is something that you need to call you need to create the atmosphere for it to happen. Then, I hope, that inspiration gets reinforced by more concrete ideas, by non-fiction knowledge.